I read this last year and found it intriguing. I think it would make for interesting discussion.
In the dawning light of a late-summer morning, the people of lower
Manhattan stand hushed, staring up in disbelief at the Twin Towers. It
is August 1974, and a mysterious tightrope walker is running, dancing,
leaping between the towers, suspended a quarter mile above the ground.
In the streets below, a slew of ordinary lives become extraordinary in
bestselling novelist Colum McCann’s stunningly intricate portrait of a
city and its people.
Let the Great World Spin is the
critically acclaimed author’s most ambitious novel yet: a dazzlingly
rich vision of the pain, loveliness, mystery, and promise of New York
City in the 1970s.
Corrigan, a radical young Irish monk,
struggles with his own demons as he lives among the prostitutes in the
middle of the burning Bronx. A group of mothers gather in a Park Avenue
apartment to mourn their sons who died in Vietnam, only to discover just
how much divides them even in grief. A young artist finds herself at
the scene of a hit-and-run that sends her own life careening sideways.
Tillie, a thirty-eight-year-old grandmother, turns tricks alongside her
teenage daughter, determined not only to take care of her family but to
prove her own worth.
Elegantly weaving together these and other
seemingly disparate lives, McCann’s powerful allegory comes alive in the
unforgettable voices of the city’s people, unexpectedly drawn together
by hope, beauty, and the “artistic crime of the century.” A sweeping and
radical social novel, Let the Great World Spin captures the
spirit of America in a time of transition, extraordinary promise, and,
in hindsight, heartbreaking innocence. Hailed as a “fiercely original
talent” (San Francisco Chronicle), award-winning novelist McCann has
delivered a triumphantly American masterpiece that awakens in us a sense
of what the novel can achieve, confront, and even heal
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